
Fuck Buttons have been on a tear this year as acclaim has poured in over their album Street Horrrsing (ATP.) Their live show is a force to be reckoned with and made me reconsider everything i thought I knew about electronic based performances (review here.) Benjamin Powers is one half of this dynamic duo (Andrew Hung being the other) and he was kind enough to take some time out of his day to answer some questions for me.
SC: What is Fuck Buttons’ greatest fear?
BP: heights and moths
SC: Does a Fuck Button have natural predators?
BP: not as far as i’m aware
SC: Least favorite interview question
BP: “why are you called fuck buttons/ explain the name”…etc.
SC: Best question anyone ever asked
BP: what came first, the chicken or the egg?
SC: What type of a producer was John Cummings? Hands on or of the “just push the record button” school of thought?
BP: john was a great producer. we asked him to work on street horrrsing with us as we were convinced he would be able to capture our live sounbd on record and he did just that. as neither of us are particularly clued up when it comes to studio recording, john took control and we’re extremely happy with the results
SC: How does your writing process work? Are some songs more the product of one member or are they pretty evenly weighted. Do either of you have a particular specialty or trademark? Basically, would Fuck Button scholars of the future be able to pick out your individual contributions?
BP: there isn’t a set role for either of us, when we jam and write music, we do it together. it’s not like one of us writes on their own at home and the other then adds to it. our music is the result of heavy jamming and experimtenting with whatever instrumentation we can lay our hands on
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